Bruno's workdesk is covered with remnants of coloured glass and pieces in progress, his heat lamp, shaping tools, and pots of glass canes in a rainbow of colours stand waiting for use. With skills honed over 42 years and a sense of humour aged with it, it was a joy to spend a short time with him. On his desk is a handwritten sign, "sono al bar" (I'm at the bar) with an arrow pointing across the calle - just in case he's missing when you want to explore his shop!
Another delight of mine is the words you find in a language that's not your own. My absolute favourite in Venice is "sotoportego", which is a small walk-through tunnel linking pedestrian streets. There's just something about saying "sotoportego" out loud that makes me smile!
And then there's the doors and the windows : their grilles, their shutters, their colours. Just like Paris, every one is an invitation to imagine what's inside.
2 comments:
Hi Sally & Brent,
What a treat to meet a glass maestro. They are usually so passionate about their work. Love the 'photos, they're great.
Love, Lils
Hi Sally & Brent,
Looked at Bruno Amadi's work online - love his glass fish and shells! Are they expensive? I could just see a glass sardine on my desk. When I visit Venice I am filling my pack with bubble wrap in anticipation!
love Fi
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